My emblem of exactitude is The Nightmare Before Christmas, a 1993 claymation film by Tim Burton. To produce a claymation film, the filmmakers have to create movable characters out of clay, then film each small adjustment of the character’s body to create the illusion of continuous motion. This ties in perfectly with my examination of the relationship between literature and animation in the E-Lit Example and Graphic posts.

A claymation film depends a lot on precision, skilled craftsmen, and quality storytelling. The individual frames all add up to one continuous piece which flows smoothly and entertains. Just as Calvino says that literature is the fulfillment of language, so too is film the fulfillment of the static image.

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